The three teenagers at the heart of Colum McCann's Everything in This Country Must have been fostered alike by beauty and by fear. Since they're from Northern Ireland, alas, the latter gained ground a long time ago. For them, there will always be a better before--before sectarian division and violence rent their families, before illness and death. In the title story, a 15-year-old and her farmer father fight to save his favorite draft horse, which has caught itself in a sudden flood: The trees bent down to the river in a whispering and they hung their long shadows over the water and the horse jerked quick and sudden and I felt there would be a dying, but I pulled the rope up to keep her neck above water, only just. As Katie and her father work, quickly, hopelessly, she fills in the gaps: the shame she feels at being slow, how her mother and brother were killed. In her eyes, all nature is alive and witness to the mare's dying, "since everything in this country must"--the connections are everywhere. The connections between humans, however, are not. When six British soldiers, "all guns and helmets," smash through the hedgerow to help, her father would rather sacrifice his horse than be grateful to the enemy. And even after one man risks drowning to rescue the horse, despair at the past destroys the present.