In this updated edition of the seminal Towards a New Museum, Victoria Newhouse explores the revolution in museum culture that has influenced the architecture of these institutions. She pinpoints the increasing control of artists over the presentation of their work in museum settings and demonstrates how the public interest in art has encouraged satellite museums, small, private museums, and a more overt relationship with the site, even in the most puritanical white cube galleries. Possibly the most dramatic change of all is the predominance and proliferation of the "museum as entertainment." Among the institutions presented in detail are the Museum of Modern Art in New York (Taniguchi and Associates); the Nasher Sculpture Center in Dallas (Renzo Piano Building Workshop); the Contemporary Arts Center in Cincinnati (Office of Zaha Hadid); the de Young Museum in San Francisco (Herzog & de Meuron); and a series of museums in Japan, including the 21st Century Museum of Contemporary Art in Kanazawa by Sejima + Nishizawa/SANAA.